Volume 44.1

Volume 44.1

Volume 44, Number 1, Spring 2012


The Jamesian Oedipus and the Freudian Moses: Image, Word, The Later Style, and The Ambassadors
pp. 1-26 | DOI: 10.1353/sdn.2012.0019
David L. Smith
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Dorothy Canfield, Willa Cather, and the Uncertainties of Middlebrow and Highbrow
pp. 27-48 | DOI: 10.1353/sdn.2012.0003
Janis P. Stout
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When Hemingway Hated Paris: Divorce Proceedings, Contemplations of Suicide, and the Deleted Chapters of The Sun Also Rises
pp. 49-61 | DOI: 10.1353/sdn.2012.0017
Jeffrey Herlihy-Mera
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From Blood-on-Snow to Boys-on-Sand: Perceval’s Mirror in Michel Tournier’s The Ogre
pp. 62-79 | DOI: 10.1353/sdn.2012.0027
Nicholas Ealy
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“One Cannot Look at This” / “I Saw It”: Pat Barker’s Double Vision and the Ethics of Visuality
pp. 80-99 | DOI: 10.1353/sdn.2012.0007
Krista Kauffmann
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Modernism, History, and the Novel
pp. 100-106 | DOI: 10.1353/sdn.2012.0011
Juan Herrero-Senés
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Impure Worlds: The Institution of Literature in the Age of the Novel (review)
pp. 108-109 | DOI: 10.1353/sdn.2012.0015
Gerard Cohen-Vrignaud
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Culture, Capital, and Representation (review)
pp. 110-111 | DOI: 10.1353/sdn.2012.0021
Joseph Conway
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The Empire Inside: Indian Commodities in Victorian Domestic Novels (review)
pp. 112-114 | DOI: 10.1353/sdn.2012.0025
Ann-Marie Dunbar
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Gilbert and Gubar’s The Madwoman in the Attic After Thirty Years (review)
pp. 114-116 | DOI: 10.1353/sdn.2012.0000
Lisa Sternlieb
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A Body of Individuals: The Paradox of Community in Contemporary Fiction (review)
pp. 116-118 | DOI: 10.1353/sdn.2012.0005
Anne Lovering Rounds
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Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori (review)
pp. 118-120 | DOI: 10.1353/sdn.2012.0009
Rochelle Raineri Zuck
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Twain in His Own Time: A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates (review)
pp. 120-122 | DOI: 10.1353/sdn.2012.0013
Maria O’Malley
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Leather-Stocking Redux; Or, Old Tales, New Essays (review)
pp. 122-124 | DOI: 10.1353/sdn.2012.0018
Jason Berger
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